The revamped hairdo is one striking attribute, but there’s something about his face that seems distinctly changed. ![]() We can’t help but notice how different the person peering back at us from our computer screen looks these days. He flips his camera on briefly and his mid-chin length, bleach blonde hair is tousled loosely about his head. He’ll soon return to set to shoot a music video, but for the moment he’s still lounging in bed. When we catch up with Streten, he’s in Hobart getting his bearings. On other occasions, Flume’s creative director, Jonathan Zawada, stops by to discuss the visuals and thematic elements that will accompany his forthcoming album, ‘Palaces,’ due out on May 20th via the independent record label, Future Classic. It’s been very healing, especially after being away for so many years.” Some days it’s just Streten and his three-year-old Goldendoodle, Percy, tucked away in a quaint house on the East Coast, south of Queensland. But, I started growing my own vegetables and just living a wholesome existence. ![]() “I moved up to a part of Australia that I’d never lived in, and I kind of started a new life,” he explains with a sense of calm in his voice. There was just so much uncertainty.” Unsure of how California’s lockdown would play out, Streten took the same steps as many people did back in the spring of 2020: he packed up his suitcase and headed back to his homeland. “I was also worried about my parents getting sick or something. No one was vaccinated, there was panic, stores were empty, blah, blah, blah,” the accomplished producer trails off, communicating the exhaustion that comes with dwelling on those harrowing early pandemic days. It was just full on with the Covid and the Black Lives Matter protests. Though other circumstances in the world kick-started the hobby as well. ![]() With help from his mother, who is a horticulturist, he achieved his goal earlier than expected. Tilling the eight-acre plot in New South Wales is a relatively new project for the Grammy-winning artist, though it is one he’s aspired to tackle for ages. I think you call them peppers? Then there’s some pumpkin, kale, spinach, all the herbs,” says Streten, casually rolling off the contents of his garden, during an early-morning call with DJ Mag. Harley Edward Streten, on the other hand, prefers a little peace and quiet. Step into his universe and lose your mind below.Flume fills arenas, smashes stage props with sledgehammers, and builds booming soundscapes with the high-tech gear that fills his ever-expanding studio. He also put together a full-length visualizer in collaoration with Jonathan Zawada, the same guy who crafted his iconic Skin album cover. It’ll be the best 38 minutes of your day, hands down. Later in the mixtape, Flume and Eprom team up on a tumultuous, cinematic, glitch-fuck of a remix for SOPHIE’s “Is It Cold In The Water?” Flume gets with SOPHIE for a proper collaboration alongside Ku?ka called “Voices.” JPEGMAFIA appears on dangerous rumble-blaster “How To Build A Relationship,” and Eprom shows up again on mixtape closer “Spring.” The mixtape explores IDM, chaotic ambience, and all manner of strange things that are dope.Īll in all, Hi This Is Flume runs 38 minutes. It’s followed by three-minute-plus instrumental “Jewel,” a psychedelic, beat-heavy production that puts the future back in future bass. “High Beams” with HWLS and slowthai is a bass-heavy stand-out as groovy as it is brash. Each song blends together like a true mix presentation. Flume Releases 'When Everything Was New' Documentary on YouTube: Watchįlume still has that wonky quality, but it rightly reinvents his sound with some fresh bang.
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